Fun, Fearless At 43 Years Old! ~:Cameron Diaz ***messymandella***

       Cameron  Michelle Diaz,  stays relevant and loyal to her true-blue fans and releases comedic movies, and has remained active in the business for over 20 years.

In the Film, Art and Entertainment Industry most lose sight of the craft to remain in the limelight.

Women like Cameron  employ not exploy  their comedic gift, and artistry to gain fandom and lives a private life, off stage.

On competitive women: “Women are taught that we’re supposed to be pitted against one another. I never grew up that way. I was not drawn to women who were competitive with me. Any time I did, I found myself broken-hearted. [So] I just decided that as soon as I felt that from another woman, I’d go the opposite way. We live in a society where women are self-sufficient, they can take care of themselves, and what they need are more women in their lives. We understand each other, we know each other, we can be compassionate towards one another, the same way guys are ‘bros’ and ‘buddies’ together.” From The Sydney Morning Herald

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ktod-rap battle =pat stay vs immaculate***messymandella***title match

 

 

Jeezy (Me O.K.) VS Boyz N Da Hood – Dem Boyz ***messymandella***


 

 

1Take.TV: Jess Goyder (End of the World) ***messymandella***


Jess Goyder joins 1Take TV in EAB Recording Studios in West London for a performance of her song (End of the World) with Emma Butterworth on cello..

Written and arranged by Jess Goyder:    
Sound production by Elliot Bradley
Filmed by Jonah James, Beatrice Black and Emma Hegarty. Edited by Jonah James.

Jess and Emma are wearing Danilo Gabrielli  
Make up by Monika Krok Monika Krok   

1Take.TV: Discover the best in new music at messymandella.com

 

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Dear Wendy Williams, Let’s Talk About That Ratchet Ass AALIYAH Movie!***messymandella***

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In this life we are allowed foolishness and demand sometimes our poorly executed ideas to be executed even when they should have never seen the light of day. We end up with this derogatory and useless depiction of filthy videography as this AAliyah Haughton. WHO EVER endorsed this crap solely only focused on the revenue and ignored the obvious intemperance.

Lifetime authorized a Chittterling Circuit AAliyah Biopic that didn’t focus on music, legacy, or inner strength. The late AAliyah Haughton was a student with a 4.0 average in school, and to people who knew her said she adored everyone, and everyone was in love with her. AAliyah had a contagious sense of humor, and her independent views of her success, fashion and her career.

LifeTime and Wendy Williams’s desecrated her memory and credibility has zero to do with the production, existence, career or even hairs strands of the beautiful AAliyah. We are at liberty to create and dream about a product to demonstrate a love for a fallen celebrity, but this film was evil and ill-conceived to create scandal for AAliyah and destroy her reputation.

We as a culture love to admire the stars that are gone too soon, but in this case Wendy Williams spit on the grave and the legacy of the late AAliyah and will not admit fault in production of this farce. Wendy’s motivation for this movie is to remind the world of the R.Kelly situation and paint AAliyah in the light of a power-hungry woman with no motive but to succeed. The R.Kelly issue is touchy, and a dark topic that transpired while AAliyah was at an early age . She was not mentally equipped to decide her life long fate. In regards to the alleged child molester, R.Kelly Why bring that fact to a public, who were not even fans of AAliyah?

AAliyah’s family handled that situation behind closed doors, and Wendy was wrong to expose something that can not be changed, and is beyond malevolence and vile in nature to even focus on for the entire world. The world will continually discuss the revolting portrayal of the late, “Baby Girl.” If Wendy thought that she would win critical acclaim for this mess, she was sadly misguided.

 Ten Questions For Wendy Williams on her Critically Panned Exploitation film of AAliyah Haughton?

 

Wendy, when you decided to make this AAliyah movie after the family said, “HELL NO” didn’t you think that maybe they knew AAliyah would NOT want to be exploited by a talk show host who wears Golden Retriever Fur Lace front Wigs?

When you decided to cast these unknown “actors” as the people in AAliyah’s life, had you ever laid eyes on the people in the singer’s life or were you wearing a blind fold during casting?

Why did the child version AAliyah appear to be of Asian and African-American descent, when AAliyah was African-American and of Native American Descent?

Wendy, your FAVORITE song by AAliyah is not called “Let Me Know.” She decided the title should be “At Your Best You Are Loved!” You didn’t even know the name of the song! Why do a biopic on her that wasn’t “At Your Best?”

HOW CAN YOU DO A BIOPIC ON SOMEONE THAT YOU DON’T KNOW HER SONG TITLES, OR HAVE ANY BLESSINGS FROM HER FAMILY AND FRIENDS?

When you close your elongated black widow spider eye lashes tonight remember how you cheapened and destroyed the Hip Hop bond that we extended to you because we considered you Wendy, part of the Hip Hop Culture. Do you think Aaliyah would be proud of this monstrosity?

You proved that you have no credibility or reverence for the culture and as long as you received your money and Lifetime views, you are saying to the world, “Damn AAliyah and Her Legacy!”How could you deliver such a horrible movie and let it even see the light of day?

Are you going to apologize to the family of AAliyah because you do realize that her estate can file a civil lawsuit against your big strapping ass?

When did AAliyah sing or dance ANYTHING like this depiction you conceived?

Do you know Missy Elliott looks like? You would have done a better chance passing off Lucy Lui as Missy Elliott.

 

 

 

 

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